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Anthropologist Sandya Hewamanne spent several months in a Sri Lankan free trade zone FTZ working and living among the workers to learn about their lives. Their difficult work routines and sad living conditions have been examined in detail. When I was with them I often wondered whether anyone noticed the smiles, winks, smirks, gestures, tones of voice, the movies they saw, or the songs they sang. By analyzing how these workers claim political subjectivity, Hewamanne's Stitching Identities in a Free Trade Zone challenges conventional notions about women at the bottom of the global economy. The book offers a fascinating journey through the vibrant subaltern universe of Sri Lankan female migrant workers, from the FTZ factory shop floor to boarding houses, from urban movie theaters to temples and beaches and back to their native rural villages.

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Just Girl Stuff

Anthropologist Sandya Hewamanne spent several months in a Sri Lankan free trade zone FTZ working and living among the workers to learn about their lives. Their difficult work routines and sad living conditions have been examined in detail.

When I was with them I often wondered whether anyone noticed the smiles, winks, smirks, gestures, tones of voice, the movies they saw, or the songs they sang. By analyzing how these workers claim political subjectivity, Hewamanne's Stitching Identities in a Free Trade Zone challenges conventional notions about women at the bottom of the global economy.

The book offers a fascinating journey through the vibrant subaltern universe of Sri Lankan female migrant workers, from the FTZ factory shop floor to boarding houses, from urban movie theaters to temples and beaches and back to their native rural villages.

Stitching Identities in a Free Trade Zone captures the spirit with which women confront power and violence through everyday poetics and politics, exploring how female workers construct themselves as different while investigating this difference as the space where deep anxieties and ambivalences over notions of nation, modernity, and globalization get played out. Sandya Hewamanne. Nation Modernity and Female Morality. On the Shop Floor. Loving Daughters and Politically Active Workers. Politics of Everyday Life.

Performing Disrespectability. Cautious Voices.

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How does a so-called bad neighborhood go about changing its reputation? Is it simply a matter of improving material conditions or picking the savviest marketing strategy? What kind of role can or should the arts play in that process? Frederick F. Wherry shows how, in the predominantly Latino neighborhood of Centro de Oro, entrepreneurs and community leaders forged connections between local businesses and cultural institutions to rebrand a place once nicknamed the Badlands.

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At age 10, he and his younger brother were smuggled out of Baghdad through Iran and eventually reached the newly formed state of Israel. He continued his travels to Brazil and later to the United States. In the same year, Saul volunteered to serve in the U. Army, having been promised a college education and U.

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This is the story of a woman's life written in a series of autobiographical sketches. The depression years in rural Arkansas and Texas were an essential part of her formative years and the details she gives of that era are fascinating reading. Her complex, extended family is also an important part of her story and she occasionally stops to give us vivid portraits of some of the main characters among her numerous nieces, nephews, aunts and cousins who were numbered by the dozens. As her life unfolds there are accounts of the cultural shock of moving to California, of the effect of the '60's revolution on her marriage, of her experience of motherhood, and of the businesses in which she and her husband engaged. Their retirement years in Mexico introduce still another cultural backdrop, which she paints in her vivid way with bold colors.

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